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Find Books, Audio, and Many Other. … There are no ends to the ways of the universe. Everything ends. . Kafka's law in history – The law of accelerating returns The law of accelerating returns, also known as the . Necro (album) Necro is the second studio album by American death metal band Death. It was released in 1993 by Relapse Records. The recording process for this album took much longer than that of its predecessor; the band spent several years working on the songs before they were released. Necro was produced by Terry Date, and recorded at the band's Pachyderm Studios and Smart Studios. The album reached No. 5 on the Billboard 200. Necro features a more alternative metal sound than its predecessor, including death metal elements, as well as musical elements of thrash metal and hardcore punk. Necro was Death's most successful album, selling over 1.5 million copies in the United States alone, and was nominated for the Best Metal Performance Grammy Award at the 1994 Grammy Awards, losing to Metallica's Metallica – Black Album. Background In 1990, Death's first album, 1990's Morbid Tales, featured a metal sound mixed with genres such as punk rock and rockabilly. However, the album was not very successful commercially and the band was faced with a growing number of financial troubles. Following the release of Morbid Tales, Jeff Dean decided that the band would not "do death metal for another year," and instead worked on a music project, which he referred to as Futureworld, that was intended to be "fusion music" with influences from death metal and other genres. Later, Dean said that he was "really bored" with death metal and with the band's previous music, and wished to "push and try something new." In 1990, he recruited former Abigail's Panties drummer George "Gus" Fisher to help him work on the project. Death were then scheduled to play a series of two shows at the Philadelphia Orpheum Theater in April 1991, but one of the shows was cancelled when the band were required to make a decision about legal action against BMG Music in relation to Morbid Tales. BMG Music denied that they had anything to do with the record company that distributed the band's previous album, saying that Death were "simply growing out of their death metal image." In 1991, the band began work on a project

 

 

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